Showing posts with label bible. Show all posts
Showing posts with label bible. Show all posts

Friday, January 6, 2012

Image of the Words

Judith and Holofernes (1866) by Gustave Dore

My approach to appreciating art, in all of its forms, is to look for a meaning, a narrative, some type of significance, which will stimulate my mind in some aesthetic manner. Therefore, illustration would seem to be the art form which I would love most, but it isn't. Too often, illustrators rely upon the written text to carry the burden of the narrative creativity, which results in mere functionality without adding to or transforming the base inspiration.

In my view, illustration is like alchemy, taking a source material and transforming it, through the addition of images, into a more refined product. Of course, some works start out at such a higher grade that you can't really "improve" it, but a quality illustrator can add value by creating linked images that amplify the impact of the text.

Few illustrators in the history of the art form have been as good at this as Gustave Dore.

The Vision of the Valley of Dry Bones (1866) by Gustave Dore.

So, in honor of his birth date, born in 1832, let's admire some of his awesome Biblical illustrations.

Thursday, July 7, 2011

In the Likeness of God

Book of Genesis by R. Crumb

While I was on vacation, I had the opportunity to visit the San Jose Museum of Art where the exhibit "The Bible Illuminated: R. Crumb's Book of Genesis" was on display. It contained the original drawn pages from which the graphic novel was created. Each page of the comprehensive fifty chapter work was exhibited. I'm not a fan of Crumb's work and I am certainly no fan of the Book of Genesis, but the show was impressive.

As regards Crumb, I've long admired his amazing skills of composition and rendering. Throughout his long career, his ability to structure a panel, within the multi-panel context of a comic book page, is awe-inspiring. However, I have a hard time reading his work because his figures are so egregiously ugly and crass. I definitely respect the skill that he uses in drawing these characters, but I find their odious appearances to be distracting and tiresome. I can only enjoy Crumb in very small doses.

However, within the Book of Genesis, these gnarly homunculi seem appropriate to the subject matter. The world of the biblical Patriarchs is crude and rough-hewn. It is a world where the "Crumb people" seem to belong. Moreover, his attention to detail creates for an immersive experience. Even the infamously tedious "Generations of So-And-So" wherein "Whats-His-Name begat Whos-That, and lived another couple hundred years" is made into an interesting read by creating veristic portraits of people living in the Bronze Age, eating, fighting, farming, dancing, or just looking tired.

That's the key to Crumb's success. The attention to the details of character and setting creates a convincing world in which the reader can easily follow the events being portrayed. The famous stories, like Noah's Flood or the Sacrifice of Isaac, are given superb treatment, but it is the obscure stories, such as Sarah joining Pharaoh's harem or the Massacre of the Shechemites, that really benefit from Crumb's meticulous attention. These are obscure stories that get lost within the rambling biblical narrative, but Crumb's ability to impart drama and significance through his illustrations make them stand out.


Book of Genesis by R. Crumb

As regard the Genesis text, it's still a horrible thing. I've had to read Genesis numerous times while pursuing my theology studies and I really detest it. However, Crumb's rendering of the text smoothed out the incoherency of the text. The images impart an empathic humanity to the characters, as detestable or immoral though they may be. Even the weird things like Lot's daughters conspiring to seduce their father or Esau selling his birthright for a bowl of "red red stuff" feels less absurd or disturbing when portrayed by Crumb's drawings.

My biggest complaint is that Crumb missed the opportunity to express the ideas of the Documentary Hypothesis in this work.

Tuesday, June 14, 2011

Beware of Bears


I am not a fan of the Bible, especially the Old Testament. Yes, there is a great deal to admire and appreciate about Scripture. Giving it a full and honest reading is a worthwhile endeavor and can certainly bring knowledge and wisdom. However, there is plenty of objectionable stuff as well, products of a tribalistic Bronze Age mentality.

Since today is the Feast Day of the Prophet Elisha, let's reflect on this passage from 2 Kings 2:23-24 (KJV):

And he went up from thence unto Bethel: and as he was going up by the way, there came forth little children out of the city, and mocked him, and said unto him, Go up, thou bald head; go up, thou bald head.

And he turned back, and looked on them, and cursed them in the name of the LORD. And there came forth two she bears out of the wood, and tare forty and two children of them.
Yeah, that's quite a disproportionate response. How do apologists defend this blatant act of injustice?


Well, there are three main lines of defense.