Showing posts with label children's fiction. Show all posts
Showing posts with label children's fiction. Show all posts

Tuesday, February 5, 2013

Second Star to the Right

Peter Pan, Tinker Bell, Wendy Darling, 1953, Disney
"You can fly! You can fly! You can fly!!!" - Disney's Peter Pan was released on February 5, 1953

Today marks the 60th anniversary since the release of Walt Disney's Peter Pan. Although I wasn't around to see the first run of this movie, I caught it on a subsequent re-release during the 1970s. It is one of the first movies that I remember seeing and, therefore, it has always had a special place in my imagination.

As a child, my interest was in the fantasy adventure elements of the story, as well as the mischievous antics of Tinker Bell, always the troublesome pixie. However, looking at it again in adulthood, the themes of nostalgia for the carefree days of youth create a bittersweet counterpoint throughout the story. I eventually read the original work by J.M. Barrie and, though it was a bit of a grind, my appreciation for the story grew.

There's something very pertinent about Peter Pan to those who cultivate artistic aspirations. The desire to express how one feels through an aesthetic work is a very intense engagement with the imagination, an act of innocence which presumes that others would actually wish to receive one's creative vision. Every time one reaches within one's mind to engage in artistry, it is as if the artist is journeying to their own personal Neverland.


Tinker Bell, Peter Pan, Keyhole, Disney, 1953
Tinker Bell stuck in a keyhole

Yet, it is so hard to make a living as an artist, of any type. There is always a nagging pressure to "grow up" and "be responsible" by getting a "real" job or accepting assignments that pay the bills but have little to do with artistry, in other words, selling out. Moreover, there is nothing fun about being a starving artist, working part-time minimum wage jobs in retail or food services to barely get by.

Even with supportive friends and family, it is hard to ignore the social expectations into which we are born. An inner voice will always criticize the "perpetual childhood" of the artistic life.

But, when the creative spirit flows, all the troubles of this world fall away. You can fly!!!


Saturday, August 25, 2012

Kelly Vivanco: Curious Snail

Curious Snail (2011) by Kelly Vivanco

Just an "Image of the Day" post. I adore Kelly Vivanco's work. It's whimsical, wonderful, and weird.

The Curious Snail makes for a nice weekend image. ;-)

And some music. . .

Tuesday, June 19, 2012

The Miracle of Lasagna

Image from Garfield bookmark "Some Call It Laziness. . ." (1978) by Jim Davis

On June 19, 1978, Jim Davis' comic strip, Garfield, was first published. Featuring a lazy, lasagna-loving cat, this comic strip was a childhood favorite of mine. The jokes were really simple, the gags repetitive, and the smug attitude of the rotund Garfield appealed to my youthful sense of humor.

Eventually, I lost my enthusiasm. Perhaps it was the continuing anthropomorphizing of Garfield, who looked less cat-like over the years, walking upright and possessing obvious human-like hands. Maybe it was just the development of mature tastes in comedy. Or it could have been that the lasagna jokes were getting stale. Whatever the case, this comic strip fell out of my favor.

Nevertheless, there is a warm spot in my heart for Garfield, despite the awful unoriginality to which the comic strips have fallen. And the movies were heinous, especially A Tale of Two Kitties. Yikes!!! That was extremely bad!!!

Image from Garfield bookmark "That's Right. . . 100 Pizzas to Go" (1978) by Jim Davis

Occasionally, when looking through my old book collection, searching for something to donate to the local library, I'll find a ratty old bookmark from my childhood, from the time when Garfield comics were the light of my day. Silly and banal though they may be, they nevertheless fill me with nostalgia and return me to a simpler time when a fictional overweight lazy cat could brighten my life.

Wednesday, May 16, 2012

Saturday, December 24, 2011

Candy Hearts and Paper Flowers

"Raggedy Ann and Books" from Raggedy Andy Stories (1920) by Johnny Gruelle

Coinciding with Christmas Eve, December 24th marks the birth date of Johnny Gruelle, born in 1880, known primarily as the creator of Raggedy Ann, first published in 1918.

I find something very charming about the simple, old-fashioned rag doll. Unlike ceramic dolls of the era, rag dolls were made for play, to get tossed around, to get dirty. They weren't put up on a shelf for display, touched only for dusting. And unlike later mass produced dolls, the humble handcrafted doll was unique, and not in a faddish "cabbage patch" way.

Now, fancy high tech gifts can be useful, and elite expensive treats are enviable, but sometimes the simple things are the most memorable and lasting presents of them all.

"Flying with the kite" from Raggedy Ann Stories (1918) by Johnny Gruelle

So, let's be thankful for the gifts which we have and will receive. Let's wish that others will find happiness in that which they shall receive. :-)

Thursday, October 13, 2011

From Deepest Darkest Peru

A Bear Called Paddington (published October 13, 1958) was illustrated by Peggy Fortnum

An Anglophile even as a child, my sister badgered my parents into buying her a Paddington Bear doll for her birthday sometime in the mid-seventies.

Although I have great affection for toys, I'm not a teddy bear person. But Paddington Bear has a special quality that set him apart from the run-of-the-mill bears. His big hat, the suitcase, his love for marmalade, these traits appealed to my youthful sense of the distinctive. Paddington was something more than a cute, fluffy doll. He had a story. Heck, he journeyed all the way from the deepest, darkest Peru!!!

Well, there obviously couldn't be two Paddington Bears in the family. So, I contented myself with drawing him and his adventures in Peru. And eating marmalade. ;-)

The BBC broadcast Paddington in 1975

After all these years, I still have nostalgia for the one teddy bear that I actually liked. And marmalade? It's the best!!!

Tuesday, July 26, 2011

Curiouser and Curiouser

"Golden Afternoon" scene from Disney's Alice in Wonderland (1951)

Today we're celebrating Alice in Wonderland. I would have done so on the publication date earlier this month, July 4, but I was on vacation. So the 1951 Disney movie release date is the next best thing. ;-)

To be honest, my first exposure to Alice in Wonderland was through the Disney movie. It caught my imagination and I read the book shortly thereafter. As a child, I was never big on fairy tales like Snow White or Cinderella. But Alice isn't a fairy tale. It's literary nonsense, a weird fantasy adventure. I was enthralled by this bizarre world of insane characters and illogical happenings.

Even after all these years, I still have to list Alice's Adventures in Wonderland as one of my favorite books. It had a lasting influence in my love for the fantastic and personal aesthetic of the strange. Alice has shaped my own approach to fantasy writing to an even greater degree than such classics of the genre as the Lord of the Rings or the various adventures of Conan the Barbarian.


Alice's Adventure in Wonderland (1866), illustrated by John Tenniel

My enthusiasm for Alice extends to the various remakes, sequels, and parodies that have been made. Alice is even my favorite Disney theme park ride!


Thursday, April 28, 2011

Precarious Transition from Girl to Woman

Cover art by Rudy Nappi (1962)

Recently, I've been interested in the use of tableaux in artistic expressions, as demonstrated in my posts on Luigi Ontani's AmenHammerAmeno and the Getty's exhibit on Photography from the New China. A bit of serendipity arrived in my inbox in the form of a message from dnj gallery about the availability of some photographs by Holly Andres. These photos are from her series "Sparrow Lane" which happens to be a work of narrative tableaux. Hurray!!!

The premise is the exploration of emergent experiences of adulthood as a woman from the starting point of childhood as a girl. Andres utilizes the imagery of Nancy Drew to draw connotative values to work. Just as Nancy bravely confronts the mysteries before her, so too do these young women investigate the secrets of adult femininity. Just as Nancy's surrounding carry a sense of menace, likewise the girls of Sparrow Lane transgress into a "forbidden" realm. There is definitely a foreboding mood to these images.

Here are a couple images:

Outside the Forbidden Bedroom by Holly Andres



The Ruby Ring by Holly Andres

These are images that could be drawn straight off of a Nancy Drew cover, but the sexual subtext is unmistakable. I appreciate the nuances of the images. For instance in the "Forbidden Bedroom", I like how the older girl has her hand upon the younger girl's shoulder, as if she's having second thoughts about seeing what's inside yet her facial expression displays a clear focus in the mystery before her. Likewise, the placement of the older girl kneeling at the base of the stairs holding a symbol of passion, while the younger girl looks down upon her with an expression of surprise, implies the attainment of adult knowledge but without full comprehension.

Yeah, I could go on and on about the Sparrow Lane series, discussing color, costume, symbolism and placement. But I recommend checking it out for yourself.

Here's a vid in which Holly Andres discusses the series:





Here's a link to Holly Andres' website.

And here's a link to the Nancy Drew Wikipedia page and her official website.

Enjoy!!!

Wednesday, March 2, 2011

Unless Someone like You Cares a Whole Awful Lot



"You're off to Great Places!
Today is your day!
Your mountain is waiting,
So... get on your way!"
- Dr. Seuss (Oh, the Places You'll Go!)

Which writer has had the greatest influence on the way you live your life? That's a tough question for me to answer. However, in my Top Ten list, I'd definitely have to list Dr. Seuss. As a child, I was an avid reader and Dr. Seuss' books were among my favorites. I loved the illustrations. I was delighted by the sound of the word read aloud. And the stories had purposes.

Horton defends those who are "beneath notice." The Grinch discovers that joy isn't limited to material goods. The Lorax warns against reckless consumption. These tales and others had ethical dimensions written in a manner so that even a young child might understand. They left an indelible mark upon my spirit by teaching me about empathy and compassion in my earliest years.

Even today, when I read or hear a Seussian tale, it feels as if my "heart grows three sizes" upon the conclusion.



Here's a link to Dr. Seuss' Wikipedia page.