Who Will Riddle Me the How and the Why

Detail of a sphinx from an Eight-Light Candelabra (c.1785) possibly by Francois Remond

Here are a couple more images from my recent trip to the Huntington. ;-)

In general, I tend to focus on the fine art, sculpture, and architecture, but the decorative arts on display are exquisite, very rich in detail. These images have a mythological theme, in a pseudo-Egyptian style.

As for the title of this post, it's a quote from Alfred Lord Tennyson's poem, "The 'How' and the 'Why'". I figured that it would be a nice nod to celebrate his birth date, August 6, 1809.

Detail of a lamia(?)from an Eight-Light Candelabra (c.1785) possibly by Francois Remond

The sphinx and lamia are quite charming, but I find it a bit twisted, even for rococo sensibilities, to put mythical female sociopaths on the furniture. ;-)

When a Dancer Becomes a Dance

Flashdance was released on April 15, 1983

Given the 30 year anniversary of Flashdance, I have been looking at some of the classic dance movies of the late '70s and early to mid '80s. In my youth, I was not a fan of the genre. However, I've grown to enjoy both the performance aspects of such movies and the symbolic significance that dancing holds within the narrative.

So, in Saturday Night Fever, the dance is a form of escapism, a way of forgetting the slow death of daily life, an uplifting moment when pride overcomes despair. In Fame, the performances are about honing a unique genius for expression, a distinct talent that can lift one from obscurity and hardship, bringing the much desire fame. In Footloose, rebellion, from stifling rules and small town petty "moralism", is expressed through the dance. And, in Dirty Dancing, the confidence and self-determination of adulthood is gained through the dance.

But in Flashdance, what is the purpose of the dance? Well, it's a glass slipper. The means through which Cinderella may become a princess, and catch a prince. Unlike the other classic dance movies of the era, the story is too simplistic and contrived to carry any deeper message. While her friends may fail at realizing their dreams, Alex prevails by narrative fiat over her uncertainties and social awkwardness to win the prize.

Jennifer Beals starred as Alexandra Owens, a welder by day and exotic dancer by night.

Well, the story was really mediocre, but the dance scenes are fun. The cinematography and editing style became vastly influential, having an obvious influence upon later movies, such as Footloose and Dirty Dancing. Although there is no "training montage" scene, the framework of the genre staple is laid out in the "Maniac" practice scene. Yeah, we luv the '80s. ;-)

So, in celebration, put on your dancing shoes, take your passion, and make it happen. What a feeling!!!

March: Decades of Music

Image from the video of Michael Jackson's Billie Jean

We've got our monthly selection of music again, right under the wire. I always hate running late on this enjoyable feature. It seems stupid celebrating the sounds of one month in another.

Over the decades, the month of March has been full of good and interesting music. In fact, it was a bit hard winnowing my selections down to just nine songs. Some fun music was left to the side. So, we'll have to pass up on Snow's "Informer" from '93 and Will Smith's "Gettin' Jiggy Wit It" from '98. Maybe we'll listen to them next time, in five years or so. ;-)

Another funny point about this month's post is that it would have been very easy to make it totally focused on Dance music. The whole reason why I changed the post titles, in January, from "Monthly Dance Party" was because it was too tough to put together a broadly enjoyable collection while just focusing on that genre. Well, it's all for the better; I can now honestly choose whatever sounds and videos catch my enthusiasm.

Interior art from Evanescence's album Fallen

Well, that's enough blather. Let's get to the music!!!

Relentless and Restless

Detail of Big Box Zombie by Nathan Fox, illustration for Bloomberg Businessweek (Oct 18, 2012)

Some days leave you feeling like a shambling ruin, one of the walking dead, too tired to do anything but slump over a meal and look at anything on television. It can be a grind.

For me, this is one of those days. Fortunately, I had some interesting videos to get my brain back into functionality, and the pizza was a help too. Yum!!!

My life has been consistently bad this year, with only a few upsides. Yet, I have somehow been able to keep up a daily stream of blog posts. I really don't know how I set aside some time to write these things, but it's kind of cool that I do. Yeah, almost nobody reads my stuff, but that's alright. I take pleasure in composing these little works, from attempting to structure eloquent prose, to searching out a photo that best captures the mood of the text, and then selecting some fun videos to wrap things up.

Eh, I don't know if I'm doing a good job at it, but practice makes perfect. I'll keep on going until I finally fall apart, a moldering mess at the keyboard. ;-)

Looking at the Sun

The Sun behind a telephone pole

I'm an old-timer when it comes to photography, with most of my habits developed way back in the film exposure days. Although I have been using a digital camera for the past decade, I have a hard time shaking the techniques learned for an obsolete technology.

Lately, the unusually cold weather, at least for Southern California, has been weighing upon my mind. One idea that popped into my mind was whether or not the upper atmosphere would have enough ice crystals to create nice solar halos. People who live in northern climes are familiar with the phenomena of light refracted through ice, but the climate conditions don't show up that often in the Los Angeles region.

So, when running about my business, I looked up and, sure enough, I could see the circles glowing around the sun. Then, I began my quest to find a way to occlude the disk of the sun, so as to showcase the halo, earning many a green retinal burn along the way. ;-)

The sun partially obscured by a lamppost and the clouds

To be honest, I have never been much of a "Sky" photographer, especially not with a subject as difficult as the sun; give me the moon any day, or night. But repeat attempts brought out some decent images. It was a nice day for sky-gazing.

The rice blue skies, the wispy clouds, and the solar halos made for tough but engaging compositional elements. As the day progressed, I got to snap them from different angles. It was a fun project.

The upper arc of the solar halo, peeking over the top of a streetlamp

And that's when I came to a revelation. . .

Castles in the Sky

Clouds reflected in the high windows


Lately, the cloud formations have been beautiful down here in the South Bay. So I decided to take a few photos. ;-)

I've never been much of a cloud-gazer, but I think that I can become one. There's something restful and dreamy to watching the wispy white vapors drift across the blue sky, changing along the way in a slow and subtle manner.

It's beautiful.

Sunlight streaming through dark clouds


And the shapes inspire the imagination.

Dance Party: August

Meg White as a Mexican prostitute in The White Stripes' video for "Icky Thump"


It's time for our monthly celebration of music. I know that many of my recent posts have been heavy on the tunes, but, whereas those other posts focus on a theme, the "Dance Party" is chronologically arranged. From 1967 to 2007, we've got some fine and fun songs to bring back memories from these bygone years.

It's a fine way to end a summer day, sharing music, like bringing gifts from far away. ;-)

And it's better than standing in line to see the show tonight. . .



Image from The Beatles' Yellow Submarine


Doesn't take much to make me happy. :-)

So, let's listen to some music.

Conveying Similarities of Sound

Public Telephone, with LJ reflected upon the mirrored surface

Recently, while talking with a friend, I came across a public telephone. My friend expressed her surprise at finding such a technological relic. I disagreed with her.

Public telephones are not as common as they once were, but it isn't that tough to come across one in the course of a normal day. The easiest places to find them are at government or civic institutions, such as libraries or museums.

Since that discussion, I've been very aware of payphones. It's almost become a "treasure hunt" activity. ;-)

And they bring back memories of my youth. . .

Dance Party: July

Detail from Ultra Nate's "Free" EP (1997)

Comin' in just under the wire. ;-)

Well, we've got a goofy mix of music this time around, but lots to enjoy, admire, and appreciate for beauty, playfulness, or originality. The nine songs in tonight's post are all certainly evocative of the era in which they came to prominence. Yeah, there's a bit o' cheesiness that can't be denied, but, over the years, popular trends go from cool to kooky, poised to playful. And a whole lot of loneliness. . .

From tear-jerkers to trance, big hair to big butts, disco to emo, tonight we'll play out the month with an eclectic mix.

Cover detail from Sir Mix-a-Lot's "Baby Got Back" (1992)

Let's listen to some music!

Muses Work All Day Long. . .

Detail of Dancer Taking a Bow (The Star) (1877) by Edgar Degas

". . . And then at night get together and dance."

That's one of my favorite quotes about the Arts. It's especially appropriate for today, on the birth date of Edgar Degas, born in 1834, one of my favorite Impressionists. No other artist has captured the beauty and grace of dancing as well.

It's all about motion and the transience of the moment. The way in which the figures are positioned, the flashes of color, the evocation of space, these elements create a visual rhythm that carries the eye across the canvas, as if, through the act of seeing, the viewer is a participant in the dance itself.

The Tub (1888) by Edgar Degas


It's a lyrical vision that can also be seen in his sculptural works. Even something as placid as taking a bath becomes a study in motion, a languid twist and stretch, with a natural grace and an inviting poise.

Dancing and Singing for the Muse

SZC Project performs a dance across the LACMA campus as part of the Muse Artwalk events

My friends sometimes ask me, if I have the normal member's free admission to LACMA's galleries, why would I attend the bustle and crowd of the annual Muse Artwalk? The answer is obvious: the performances. Certainly, I can visit the museum whenever I wish. Likewise, I'm no stranger to the Miracle Mile art galleries. But it is a rarity that I can view some engaging modern dance performances.

Moreover, the manner in which the choreography incorporates the unique features of the site absolutely cannot be replicated anywhere else. This makes for a "one time only" experience, an aesthetic moment that is transitory, constrained in time and space. For me, this limitation makes it a precious and much coveted art event.

Yeah, sometimes the throng of visitors might get annoying, especially if they have some rambunctious children with them. However, for the uncommon taste of performance art and dance, I will happily tolerate an occasional screaming babe. ;-)

Invertigo Dance performing in front of Chris Burden's Urban Light (2008)


Now, the hazy and humid heat might present another problem, but, if the performers can endure it, then I can do so as well. After all, it's not me jumping around, kicking and twisting and writhing, upon the hot concrete of the BP Grand Entrance. And that's a very good thing. :-P

A dancer from kDub Dance, constrained within the boundaries delineated by colored tape.


The performances were well worth the effort. I especially enjoyed SZC Project's performance upon the exterior stairway of the Broad Contemporary, but each dance brought something new and engaging. They really inspired me to make more of an effort to attend dance events. Every year, the Artwalk inspires me, but I rarely follow through. This time, I intend to hit at least three shows before next year's event.

Dance Party: June

Detail of the cover image for Dirty Vegas' "Days Go By"

It's that time again, amigos!!!

We've got a fun roster of classic and quirky songs to celebrate the month of June, at least in five year increments from 1967 to 2007. ;-)

The night is pressing and I haven't the time to get all prosaic on you all, but, since we've been doing this for over a year now, just imagine that I'm engaging in some rants and raves. It can be a form of Paideia "Mad Libs", going something like:

"I'm not much of a (Noun) for (Band Title) but this piece is (Adjective), showing real change from the (Adjective) style of their early music towards a more (Adjective) sound."

See!!! Music criticism is easy!!! LOL!!!

Cover image from Kim Wilde's "You Keep Me Hangin' On"

Let's listen to some music!!!

Dance Party: May

Detail of the cover image from Sheryl Crow's "Soak Up the Sun"

It's time for another set of music flashbacks. Yeah, we've been doing a bunch of music posts over the past few weeks, but the next couple of weekends are likely to be busy for me. Therefore, since I don't want to miss out on celebrating May's music over the decades, I'm putting this post up tonight.

But it'll be just as good going early as keeping it late. And either way is better than nothing at all. ;-)

So, from '67 to '07, let's have some fun!!!

"Point of No Return" was Exposé's second hit in 1987.

What the world needs now is. . .

Dance Party: April

Detail from the cover image of Celine Dion's A New Day Has Come (2002)

So, we've been doing these monthly dance parties for a year now. My focus and approach has changed a lot since my first post last May. I used to focus exclusively on "Dance/Club" music. I used to write a lot of context on how the musical styles had changed over the 5-year increments.

But my "curatorial" style has changed over the year. I've broadened out my selection criteria and allow the listeners to bring their own experiences or context to my monthly playlist.  Yeah, I know that this is my blog and that, ultimately, everything boils down to being "all about me" but I like being "light-handed" and subtle. After all, if my song choices are interesting, then they can tell the story themselves.

Image from Soft Cell's Tainted Love (1981)

So, what narrative arises from this month's selection?

Bunny Hop

Detail of the cover for Ray Anthony's Bunny Hop record (1952)

Here's to a Happy Easter!!!

To celebrate, we've got a brief whimsy post for you all. ;-)

Alternatively, you can think about this guy:

Detail of Resurrection (1455) by Dieric Bouts, on view at the Norton Simon Museum

And that would be totally cool, but I'd rather hop, hop, hop!!!

Dance Party: March

Cover image from Vanessa Williams' "Save the Best for Last" (1992)

It's time for our monthly celebration!

This time around is a whiplash of styles, but I love them all, for different reasons both aesthetically and personally. Whether you want to be "There beneath the blue suburban skies" or "Feel the sun on your face and tell me what you're thinking" or feel that the "Night is young and the music's high. With a bit of rock music, everything is fine", there's something for all types tonight. ;-)

And we love variety!

Image from Neil Young's "Heart of Gold" concert film (2006)

So let's listen to some music!

Dance Party: February

Cover image for Right Said Fred's "I'm Too Sexy" (1992)


It's that time again.

This month's selection is filled with memorable songs, love 'em or hate 'em, tunes that set the sound for their era. From the Trammps' "Disco Inferno" to the Spice Girls' "Wannabe", these songs became pop culture icons.

To be honest, I wasn't fond of many of these songs back in the day, but time has given them the warm glow of nostalgia. ;-)

Image for the J. Geils Band's "Centerfold" single (1982)

Let's listen to some music!!!

Friday Flowers: Tulipomania

Purple tulips to commemorate Tulipomania (1637)

Colored Hats
(By Gertrude Stein)

Colored hats are necessary to show that curls are worn by an addition of blank spaces, this makes the difference between single lines and broad stomachs, the least thing is lightening, the least thing means a little flower and a big delay a big delay that makes more nurses than little women really little women. So clean is a light that nearly all of it shows pearls and little ways. A large hat is tall and me and all custard whole.


I adore Gertrude Stein and her amazing skill at crafting sound, combining words in such a manner as to create new meaning and significance through cadence and imagery and juxtaposition, going on and going on, with repetition and resonance rolling the words off the tongue, through the mind, almost hypnotic, entrancing, in their flow. ;-)

Purple tulips in a glass vase

And what of the tulips? Well, I was going to put up another camellia post, but I realized that today marks the collapse of the Dutch tulip craze of the 1630s. I couldn' pass up on that.

Hasta La Vista, Baby

Detail from Jody Watley's 1987 self-titled album

When it comes to the R&B dance divas of the '80s or '90s, one of my favorites is Jody Watley. In terms of technique and variation, I'd say that she was the best.

Sadly, she never gained the popularity of her peers, such as Janet Jackson and Whitney Houston. That's a pity, seeing as how she was more experimental in incorporating diverse dance music traditions, from freestyle to New Jack to downbeat. I guess that mix of style might have been the problem, making her music a tougher commodity to market.

Regardless of the lack of long-lasting chart-topping fame, I still regard her as one of the defining voices of R&B dance.

Jody Watley in 1990

Anyways, let's wish Jody a Happy 53rd Birthday!!!

Empress of Winter

Camellia: Pink Perfection


The camellia season has begun, starting with a show at the Decanso Gardens. Over the next two months, nearly every weekend will feature a flower show somewhere in Southern California, from Kern County in the North to San Diego in the South and out in the Pomona Valley to the East. Yeah, we love our camellias out here in SoCal.

As a flower of Western fashion, the camellia was queen during the early to mid-19th century, but it fell out of favor in the late Victorian and Edwardian periods, leaving it with an "old-fashioned" reputation. For most of Europe and the USA, it still trails dahlias, orchids, roses, and tulips as symbols of glamour.

But California is a Pacific Rim civilization. As with the other great cultures along the Pacific, California recognizes within the camellia a special splendor, a floral elegance both refined and bold.

Camellia: Tama Peacock

And that's why we are blessed with two months full of camellia celebrations. ;-)

But, although I'll be visiting many a show, we aren't transforming Paideia into a Camellia blog. I'll try to keep a healthy mix of flowers going for our Friday showcase.